Wednesday, September 21, 2011

CSFF Blog Tour Day 3: Book Review -- "The Monster in the Hollows" by Andrew Peterson

Well I did it folks!  I actually blogged for all three days during the book tour!!! *does a happy dance*  Usually I end up blogging on the first and third days.  Sometimes just on the third day.  But this time I really did it and made it all the way to the end. ^_^  Perhaps it's because it's about books that I truly am inspired by, not to mention the absolutely epic music that's written and sung by the author... or perhaps it's just the illustrations. *shrugs*

You know, when I first heard about Andrew Peterson the author, I didn't realize that he was also the song writer that I loved to listen to.  And when I finally made that connection, then I was astounded by the fact that he was also an artist.  This just blew me away.

I'm not trying to blow my own horn or anything, but I know that I can write well and I love Christian fantasy (you can read a sample of my writing on the "read an excerpt" page of my blog); I know that I can sing well and I am fairly adept at playing the guitar (I'm now learning the piano) and I've written quite a few songs of my own (started working on an album but had to stop when the guy who was helping me moved out of town;  I'm also an artist (check out the links to my art galleries at the top of the page).  I do all of these things (and several others) and I know that I'm good at them because I love them so very very much.  I know this sounds like I'm trying to be proud, but honestly I'm not.  I'm just stating facts.

But here's another fact for you: there just aren't that many people out there who can do all three of these things at the same time and be good at them... and many of the people who can do all of these things only focus on one of them.

However, I don't want to focus on just one of my favorite pastimes; I want to expound on all of my talents and succeed at the same time... not just at one of them, but at every one of them.

So just for one moment, imagine the thrill I got when I realized that my new favorite author was also a singer/songwriter who played guitar and drew gorgeous illustrations for his own books.  Not to mention the fact that he published his last book "The Monster in the Hollows" through Rabbit Room Press which is his own company!  Not only were there others like me out there, but those others like me were making money and getting known for what they did, while at the same time (and most importantly) turning out genuine exemplary products in all three areas!!

Do you hear me?!  I'm not a freak of nature!!!  And I'm not alone!!!  ^_^  *does another happy dance.*

So now I'm going to post a review of "The Monster in the Hollows", since I've finally gotten that out of my system. lol!


Janner Igiby has always wanted to sail over the Dark Sea of Darkness... ever since he found that old drawing of his father standing in the prow of a ship, he's wanted to know what it feels like to roll over the waves of the sea.  He used to dream about it, looking out over the cliffs of his home on Dragon Day, but it just wasn't quite the same thing as doing it.

Now however he gets his wish... he's on a ship sailing far over the Dark Sea of Darkness... and he can't even get out of bed to see the waves!!!

Of course it's all Tink's fault.  If his little brother hadn't decided to go off and grow a tail... not to mention grey fur all over his body and long, vicious canines... Janner wouldn't be in this position.  But then again, perhaps Tink's change is partly Janner's fault... after all, if he had been looking out for his little brother like he was supposed to, Tink probably wouldn't have run away and gotten himself in trouble in the first place.

But what does it matter now?  What's done is done, and the Igiby family is sailing away from Skree far over to the Green Hollows where Nia's mother came from, hoping to escape Skree and Gnag the nameless' awful namelessness.  Not to mention the Fangs of Dang.  The Hollows folk are said to be a simple people but harsh fighters, and they've driven off Gnag's armies several times in the past.  Surely they will take in Nia, who is of their own kin, and her family.

But the Hollows aren't entirely safe in themselves.  There is a dark forest there where many evil creatures are said to reside... monsters, the Hollow's folk call them.  To the simple folk of the hollows, Tink's change makes him looks like a monster too.  And monsters must be killed.

While Tink works to prove himself to the hollows folk, something else is as at work.  Creatures from the forest are coming out and wondering through the hollows.  Livestock stalk starts going missing, and strange tracks are left near houses and barns.  There is definitely a monster in the Hollows... but who is it really?

My Thoughts:

Ok, let me just pause a moment to catch my breath.  *catches breath*

I ABSOLUTELY LOVED THIS BOOK.  It's the best one in the entire series, in my opinion.  Tink's change challenges not only him but his entire family, as the Hollow's folk are suspicious of him and anyone who would bring such a creature with them.  Tink tries to keep his new self in check and prove that he is not the monster everyone believes him to be, while all around him things seem to be falling apart.  The dynamics in this book are far more engaging in my opinion than the other two books (although I can't complain too much about the dynamics of any of these books... I can only say that the ones in TMITH are stronger than the other books.)

AND THE ENDING!!!

*gasps again*

I had to catch my breath on that one.  It totally caught me by surprise!  I absolutely refuse to give out spoilers (and some of the blog tour participants may have notices that I have left out one specific surprise that happens in the first book every single time I write a review... but you see, the surprise is very powerful and important to all three books and I don't want to ruin it's epicness for anyone who hasn't read the series. ^_^)  However, let me just say that my heart literally skipped a beat when I read the end (or almost the end) and I jumped up and shouted "YES!!!" in the middle of the second to last chapter (I believe it was).  And then I cried in the last chapter.  Couldn't help it.  If you read the book you will totally understand.

The characters in these books definitely change over the course of the series.  It's like you can actually see the kids mature... grow up and become young men and women who understand responsibility and consequences.  It's not just that they are kids anymore... they actually have to learn about their world and the important roll that they play in it, and it effects them... deeply.  It makes me think that as a father, Andrew almost wrote his books to help his own kids learn valuable lessons for life and about their faith... and in doing that, he's also teaching those lessons to every kid who reads his books.

I admire him for that.  I want to write like that.  I definitely aspire to accomplish that with everything that I attempt to do.

For those of you who are interested in his music, first of all, you must know that I absolutely ADORE his music.  It's just as simple as that.  In fact, the first time I listened to his album "Far Country" I was like, "OH MY WORD!!!  This guy writes songs like I write.  Wow!!"  I mean, the subject matter... the genre... the type... it's all there!  I love Christian contemporary music, but I'm also a huge fan of folk music with a celtic taste thrown in.  And lyrics... lyrics are so, so, SO important to me.  If the lyrics are strange or just seem meaningless, I'll usually end up hating the song.

Well, while I didn't notice any real celtic flair to these songs, they are all definitely Christian contemporary with a sort of folk-like twist.  They are write up my alley... just what I like to write and sing.  A friend of mine calls them "mellow".  I'm not sure if that's how I would title them, but I guess the word does fit.

If you are interested in this album, check out this page: https://store.rabbitroom.com/music/the-far-country

AND

(this is important)

READ THROUGH THE PAGE BEFORE YOU BUY THE ALBUM.

While I'm absolutely 100% for supporting this amazing and talented man and artist, I also know that if you read closely you'll notice that you can actually download the album for free if you want to.  Andrew even provides a link.  But if you are anything like me, once you listen to his music, you'll be back for more.  In this way, he's not actually loosing money but gaining money... because the free album is only a sample - a small taste - of the rest of his work.

Now, in other news, I noticed that Andrew recently posted this video on Facebook and it's totally epic!! ^_^  It really reminds me of myself in many ways.  Fantasy writers can TOTALLY relate.  I was laughing through the entire thing!!




And at long last I'll close out this Review with three new pictures of the man himself. :)  If you haven't been able to tell up to this point, I'll be blunt: I am a huge fan of his.  But if you check out the other blogs on the CSFF Blog Tour (linked to below), you can find out more about why I admire him so much.  ^_^




Goodbye!!!  And I hope you enjoyed the tour!  Check out Andrew Peterson's website at http://www.andrew-peterson.com  HAPPY READING!


Gillian Adams
Red Bissell
Jennifer Bogart
Thomas Clayton Booher
Beckie Burnham
CSFF Blog Tour
D. G. D. Davidson
Cynthia Dyer
Amber French
Nikole Hahn
Ryan Heart
Timothy Hicks
Jason Joyner
Julie
Carol Keen
Shannon McDermott
Rebecca LuElla Miller
Mirriam Neal
* Eve Nielsen
Joan Nienhuis
Donita K. Paul
Sarah Sawyer
Chawna Schroeder
Tammy Shelnut
Kathleen Smith
Donna Swanson
Rachel Starr Thomson
Robert Treskillard
Fred Warren
Phyllis Wheeler
Nicole White
Rachel Wyant

Tuesday, September 20, 2011

CSFF Blog Tour Day 2: Book Review -- "North! Or Be Eaten" by Andrew Peterson

Ok, I started reading the Wingfeather Saga with the second book.  I know that this is normally not the "accepted" thing to do... you start a series with the first book and work your way up.  However, I can't say that it was a bad thing that I started "late" as one might say.  In fact, I believe starting with the second book influenced my outlook on the first book for the better.

At the end of the first book in the series, Janner Igiby and his family are forced to leave their beloved town of Glipwood and hide out out in the dangerous forest where their half demented protector, Peet the Sock Man, has made his home.  Janner finally has found out the truth about his family -- and his father -- and there is far more to their family history than Janner every thought even possible!  Now the fun and games have ended and the adventure truly begins.  Gnag the Nameless is still determined to find the Jewels of Anniera, and he has reason to believe that they are being hidden in Glipwood.  With the furious Fangs of Dang pouring into the little town in search of the jewels, Janner and his family leave Glipwood behind in a desperate attempt to reach the Ice Praries before Gnag can find them and discover the powerful secret of their family line -- a secret that could do more than help Gnag take over the world... it could help destroy the world as well.

As they travel they are constantly in danger.  Pursued by Fangs with every step,  Janner and his family must escape the jaws of the dreaded Gargun Rock Roach, evade the knives of Stranders, hide out in hidden tunnels, avoid the terrible teeth (not to mention the awful breath) of Bomnibles, and out run the unbearable beaks of the hideous flesh-eating Snickbuzzards.  It's going to take a lot of courage to get them to the ice prairies... all in one piece, that is.

And with Tink thrown into the mix, one can never be too grateful for the words "all in one piece".  Who would have thought that little brothers could be so much trouble?  Who would have thought that Tink's protection would fall squarely on Janner's shoulders, or that Tink would go off and grow a tale?  Literally?  And who would have thought that a Quilldiggle could taste so good, or that a Fork Factory could be so dreaded?

Besides that, Grandpa is hiding yet another secret... a secret that he's never even told his daughter Nia... a secret that just might have the whole family in pieces by the end after all.


My Thoughts:

I will never forget the day I first started reading this book.  I was sitting in my bedroom, talking to my little sister, and telling her about this book I just borrowed that I was excited about reading.  She asked me to read a bit to her.  So I flipped open the first cover, admired the hand drawn maps, and then went to read the first chapter...

"Toothy Cows!!"

No, literally... those are the first words.

My sister and I both fell into hysterical laughing.  "What did that just say?"  She asked me.  So I read it again and we both doubled over.

Wow.  Now that's one way to draw a reader's attention.  Especially if that particular reader hasn't read the first book in the series  yet.

It didn't take me long after that to understand the seriousness behind the words "Toothy Cow".  I shall never look at a toothy cow the same way again.  Don't be fooled by their similar appearance to normal cows... while it would seem the toothy variety taste just as good as the normal variety (ask the stranders, if you don't believe me) they also tend to think that people taste good. 



See what I mean?  Terrifying creatures. :)

Personally I loved this book as well if not more than I loved the first one.  However, starting in the middle of the series was a little difficult, so no... I don't recommend starting with the second book. At first I really didn't understand what was going on (you sort of need to read the first book for that.)  After a while I caught on.  And once I caught on, the pace just picked up.  

Andrew seems to have a way with words and humor that just flows over the page.  And when I say humor, I don't mean like the riddle kind, or like knock-knock jokes. He simply slips every day simple humor into the pages and when you catch it, it's like a little jewel of laughter... or perhaps like an inside joke.  Guys will especially enjoy the humor, but even girls with a few brothers in the family or a silly father could easily catch on and would get a chuckle or two out of it.  It's so worth reading.

I refuse to give away any of the amazing adventure in this book.  You simply have to read it for yourself to understand. :)  But I will say that the ending left me so on edge that first I gasped, then I went back and reread it three times, and then I started to cry and I couldn't pick up the third book for two days until the amazement had finally worn off enough to leave me literate again.  No I'm not joking.  I couldn't even think of starting the first book until my awe of Andrew Peterson's way with words and plot twists came back down to a somewhat normal status.  

I don't think I need to say it again; you should already know by now that you absolutely HAVE to read this book.  If you are Christian and a fantasy lover, then it is practically a required thing. :D (not really... but EXTREMELY recommended.)  Again, this book gets a 5 out of 5 stars.  

But just wait until you read my review on the third book. *rubs hands together gleefully*  That one is by far the best book of the series in my opinion.  At least up to this point.

Now, yesterday I mentioned that I would talk more about Andrew's other amazing talents.  I told you that he was a recording artist, but I forgot to mention that he was also an illustrator.  Illustrations from his own pencil are scattered throughout the book, and (as an artist myself) I just have to say that I love his cartoon animation style.  I could totally see movies being made from these illustrations... perhaps in the style of Focus on the Family's Adventures in Oddesy series.   You just have to love it when you find someone this talented... I mean, seriously... how much more awesome can this man get?

Oh wait... he's a father and a husband as well?  Did I mention that he was born in IL... not too terribly far from my area.  Yeah, my esteem just went up another notch. ^_^

Here's some of his artwork which you can also find here... http://wingfeathersaga.com  


1)  Glipwood Township: 


2) A map of Skree:



3) Peet the Sock Man's Castle:



4) A ferocious Fang of Dang: 


5) A terrible flesh eating Snickbuzzard:


6) A Bomnible:



7) A Chorkney (from the Ice Praries):



And now I shall leave you once again with a picture of Andrew himself.  This time he's playing the guitar. :D  Gotta love it! 




Gillian Adams
Red Bissell
Jennifer Bogart
Thomas Clayton Booher
Beckie Burnham
CSFF Blog Tour
D. G. D. Davidson
Cynthia Dyer
Amber French
Nikole Hahn
Ryan Heart
Timothy Hicks
Jason Joyner
Julie
Carol Keen
Shannon McDermott
Rebecca LuElla Miller
Mirriam Neal
* Eve Nielsen
Joan Nienhuis
Donita K. Paul
Sarah Sawyer
Chawna Schroeder
Tammy Shelnut
Kathleen Smith
Donna Swanson
Rachel Starr Thomson
Robert Treskillard
Fred Warren
Phyllis Wheeler
Nichole White
Rachel Wyant

Monday, September 19, 2011

CSFF Blog Tour Day 1: Review of Andrew Peterson’s “On the Edge of the Dark Sea of Darkness”

Wow… *double checks header*  I do believe that that is one of the longest titles I’ve ever had on a blog post. O.o

Today is the first day of the September CSFF Blog Tour and we have been reading through Andrew Peterson’s book “The Monster in the Hollows”.  That book is the 3rd  book in the Wingfeather saga (originally dubbed “The Wingfeather trilogy”, but that now consists of four books instead of three… thus the change.)

I’ve had the pleasure of reading all three books and of actually getting to meet Mr. Peterson in person (and singing with my church worship band to open his recent concert in IL. ^_^).   However, I haven’t posted any reviews on his books yet.  And so,  I thought I would do something a little different and actually review the whole series during this tour… three days for three books. ^_^  What do you think of that? :)

Janner Igiby is tired of always having to watch over his younger brother and little sister.  After all, he's already 12!  Practically an adult.  He should be able to decide what he wants to do with his own time.


And what he wants is an adventure... the kind he only gets to read about.  The kind in the stories told to him by his ex-pirate grandfather about the sea and foreign lands.  However, in the town of Glipwood which is run by the furious Fangs of Dang -- large lizard-man things with venomous teeth -- who report back to Gnag the Nameless himself, "adventure" often get's one in trouble.

When Janner tussles with a Fang in order to save his little sister and her dog nugget from a toothy and poisonous death, events turn dangerous.  The children get thrown into the jail and are threatened with a trip in the Black Carriage, a nightmare out of fireside tales and children's rhyms about a carriage driver who comes and steals kids from their beds in the night.  However, before the children are sent off, their mother Nia comes to rescue them with some secret jewels she had stashed away.  She manages to bribe the head fang and get her children out of jail, but now Janner is curious where his mother kept the jewels and how come he never knew about them before.

And then there's Janner's brother, Tink.  Tink is always getting into mischief.  When he "borrows" a map from the local book store that leads to an old, abandoned house on the edge of Glipwood forest, Tink and Janner decide to go exploring.  They know that Glipwood forest itself is said to be dangerous, but the house isn't actually in the forest... But instead of the relatively safe adventure they expected, they get chased by the terrible Horned Hounds and discover a hidden weapons chamber filled with all sorts of dangerous objects forbidden since the great war when Gnag the Nameless took over the land of Skree.  What is it doing there?  And what did the owner of the bookstore, the fat old Oskar N. Reateep, have to do with it?

Besides that, why does the local psychopath, Peet the Sock Man, seem so intent on protecting the Igiby children?  And why is Gnag the Nameless suddenly so set on capturing them?

Janner knows that his Mother and Grandfather are hiding something from him -- a secret that probably has to do with his father who was lost in the Great War -- but what could that secret be?  And what about these Jewels of Anniera that Janner keeps hearing about?  There was even something about them written on the map that Tink had borrowed.  Were those the jewels that his mother had given the fangs?  Was that what Gnag really wanted?


My Thoughts:

I actually started reading the series with the second book, but to be quite honest, I think starting that way helped me to appreciate the first book all the more.  

On the Edge of the Dark Sea of Darkness pretty much stayed around the small town of Glipwood, which sits right up against the Glipwood forest, up until the very end.  Usually I have some trouble with stories that aren't moving about -- it's not so much the stories fault as my attention span's fault.  I just want to see things change... I want to see dynamics. (I suppose all readers do.)  Well I didn't have those problems with this story.  It had enough going on and it asked enough questions that I was curious and content with staying in one place.

My favorite character by far was Peet the Sock Man.  He's so crazy, but there's something so likable about him.  You just have to pity him, and you wonder constantly about what put him in such a state.  And then of course you have little Leeli's dog, Nugget... if you haven't read the book, I won't try to spoil it for you, but let me just say that something happens to Nugget that, in my own opinion, is totally epic. ^_^

Andrew Peterson writes in a very unique style that utilizes the "story teller" style rather than the "Story shower" style.  I found it a little distracting at first, but by the end of the first chapter, I'd completely forgotten about my distraction.  The rhythm of the writing flows well and keeps the reader engaged.  It's not just what happens in the book but the pacing that counts, and in my opinion this book has just the right mixture of pacing and action.  In fact, Andrew keeps his own unique style very consistent throughout the entire series... even though I did note improvements from one book to the next.  And a reader should take nothing for granted in these books either... even small details may come back throughout later chapters in very big ways.

As far as this book goes, I give it a 5 out of 5.  It's absolutely family friendly, and it's the start of what is now one of my favorite Christian Fantasy series.

Just for fun, here's a picture of another version of the cover: 


And here's a picture of the author himself.  Not only does he look good (I mean, he does look good... his features remind me a bit of Steven Curtis Chapman...) but he seems very kind hearted as well. Also note that Andrew Peterson is a Christian recording artist.  Perhaps I'll devolve more on that later.  Right now I will tell you that his album "Far Country" is one of my absolute favorites. :)  I listen to it all the time as I'm working on homework or commission projects.

I shall now leave you with his smiling face. :D





Gillian Adams
Red Bissell
Jennifer Bogart
Thomas Clayton Booher
Beckie Burnham
CSFF Blog Tour
D. G. D. Davidson
Cynthia Dyer
Amber French
Nikole Hahn
Ryan Heart
Timothy Hicks
Jason Joyner
Julie
Carol Keen
Shannon McDermott
Rebecca LuElla Miller
Mirriam Neal
* Eve Nielsen
Joan Nienhuis
Donita K. Paul
Sarah Sawyer
Chawna Schroeder
Tammy Shelnut
Kathleen Smith
Donna Swanson
Rachel Starr Thomson
Robert Treskillard
Fred Warren
Phyllis Wheeler
Nicole White
Rachel Wyant

Monday, September 12, 2011

The Confessions of a One-Time Exhausted Procrastinator

Hello Bloggies,

My name is Nichole White and last semester I came down with an ailment known as Exhausted Procrastination.

*cue rehabilitation group welcome*

It started out with just missing a few deadlines I'd set for myself. I was tired, I told myself; I could write later. I could always write later. I could finish reading that book later, because I had other things to do that were more important. I could wash a load of laundry later… right now I just wanted to finish resting.

But "later" never seemed to come. Pretty soon it wasn't just my writing that was behind, but my school work as well, and my room was getting messy because I was avoiding the fact that it needed to be cleaned. Then I started arriving late to meetings, school, and even Church sometimes. I made all sorts of excuses. "I live an hour away from just about everything," I told myself (which is actually true...) "It's ok if I'm late once or twice… people will understand my dilemma."

But "once or twice" grew more frequent. Soon I was skipping classes because I was late enough to them that I didn't want to be embarrassed by walking in. It wasn't that I didn't like the classes… in fact, I enjoyed sitting in and listening to the teacher lecture (for the most part). I just didn't want to walk in so very, very late. "Well, it's ok," I thought to myself. "I'm a good student. I don't miss that many classes… not if I can help it. One miss isn't going to kill me."

But my problem worsened. One miss turned into two, and two multiplied to four. I was getting nowhere in my writing life, my room was now a total disaster, and I was starting to fall behind on homework… mostly because I didn't know what homework I was supposed to be working on. My life grew more and more busy as the semester progressed, I kept insisting on adding projects to my agenda, and there was this big monster load of work to be done that loomed over my shoulder.

And like the good procrastinator that I am, I kept putting it off. The final result was the semester ending with me feeling slightly less than satisfied with my grades, a car-load of things that still needed finishing, and my book staring at me with big, sad eyes every time I turned on my computer.

That was me last semester, in the Spring of 2011.

That is what I'm trying to beat off this semester, fall of 2011. So far so good.

Now I admit that last semester I had really bitten off more than I could chew. I had tried to take on 17 credit hours all at once while also singing back up vocal 1 at my church every Sunday, writing my book, looking for a job, etc, etc… My life was soon disheveled and I was exhausted. My exhaustion is what triggered my procrastination, I know. The truth is, I really WAS tired, and I was at the school (which really is an hour's drive away from me) everyday from 8am to about 10pm. Even staying at school so long, there really wasn't enough hours in the day for me to give my homework the proper attention it needed, so half the time I bluffed my way through a few pages of any given subject and then tried to ignore the rest of it. Of course I wasn't satisfied with my grades… I couldn't even keep up with the homework! The school policy is about 3 hrs of homework to every hr of lecture/class time… more sometimes, depending on which subject we're talking about. Three hours is not enough time when you are taking a foreign language and don't already have a decent general knowledge of the language and/or culture. <_< From there, my exhaustion led to an extreme writer's block which took a little over a year to clear up. It was the most horrible, writing free year of my life (not to mention the only one). Pretty soon, I could just barely get myself up in the morning (waking up at 5:45 am every day is really NOT my thing…) and by the end of the semester, I started to cry every time I thought about all I had to do. It's not the kind of thing I would wish on anyone else. I am not super human, and I don't pretend to be.

That said, I wonder what would have happened if I had simply dropped a few of my classes, refocused my life, and had really gotten down to the nitty gritty with my school work. You see, I even procrastinated on dropping classes… I procrastinated so long that by the time I decided to drop classes and save myself, the option was already moot. I think that might be what REALLY killed me last semester.

This semester is a fresh start. I have a new job and I purposely decided to take only 13 credit hours in order to give myself a much needed break… that's still full time at my school, which means I get all of the benefits of a full time student, but it's also about 4 credit hrs less than last semester, plus my homework is fun and relatively easy. My room is clean and will hopefully stay that way, my closet is cleaned out and all laundry washed, work on my book is now moving forward again, plus I've started to take art commissions while still singing back up vocal 1 at my church. I let procrastination and exhaustion team up to beat me once, but I'm determined to sock them back this semester… hard. Right in the paunch. I haven't missed a class yet and don't plan to start any time soon.

The moral of this blog post? Well, I guess there are two morals really.

  1. Don't put off until tomorrow what you can do today

And

  1. Don't bite off more than you can chew

Trust me on this one: when exhaustion and procrastination decide to team up and jump you, they give you quite a pounding. :P

However, this time I've got them by the tails!! :D


 

More book reviews coming soon! And perhaps some therapeutic rambling. I'm also working on several new commissions, and have recently finished the maps for two of my WIPs that I plan to post about soon.

And I've noticed that I now have 65 followers! Yay!!! ^_^ When I hit 70 I'm thinking about hosting a giveaway, a contest, or some other type of fun, competitive event. So tell your friends about the P&P!! The sooner I hit 70 followers, the sooner you get to find out what amusing and enjoyable mischief I have up my sleeves. ;D

Nichole

Tuesday, September 6, 2011

Book Review: The Secret of the Indigo Moon by G.P. Taylor

Hello bloggy friends. ^_^

It's been a while since I actually sat down to do a book review, even though I have quite a few books that I need to review.  <_<  So I thought that today, while it's still on my mind, would be as good a time as any to actually put my butt in a chair and write this out! I've been avoiding this for a while now. Here I go! I'm actually going to do this now!! *focuses self* ;)

Erik Morissey Ganger, famed explorer and detective (well, in his dreams), and his mischief-making sidekicks, twins Sadie and Saskia Dopple, didn’t go looking for a secret tunnel beneath the school. They never intended to make the acquaintance of a shifty private eye with a nose for trouble. It wasn’t part of the plan to come face to face with an old enemy, one with an agenda of his own that could destroy them all. And unraveling the “secret of indigo moon” was the farthest thing from their minds.

At Isambard Dunstan’s School for Wayward Children, these things just seem to happen.

In The Secret of Indigo Moon, confirmed troublemakers Erik, Sadie, and Saskia plunge headlong into a new and perilous mystery, one that challenges everything they thought they knew about their lives, themselves, and whom it’s safe to trust.

(Sorry, that summary is basically the blurb on the back of the book, but I was having trouble trying to sum up the story on my own. :P)

My thoughts:

Personally, I had a hard time getting into the book. Perhaps this was because the book is actually meant for a younger audience.  I don't really know. *shrug* I've heard this book being praised because of it's pictures and the mix of text and a sort of comic-book style. I thought that it would be interesting to try this book out mostly because of the reviews that I'd read from so many different readers. However, I found the pictures and the strange fonts to be EXTREMELY distracting.

Not that they might not be interesting and engaging to someone else!!! I'm not saying that.  But I'm one of those readers who picks up a book and immediately starts watching a movie in their head as they go along. The many pictures and the strange fonts scattered throughout the book for apparently no good reason (at least on the parts of the lettering...) kept dragging me out of that movie and making me have to look at something else. Then I'd have to reorient myself in the text again... I just... well, I struggled with it.

Now, as far as the story in itself... well, it wasn't too bad.  I could see that the author was trying to pull out a Christian theme (or perhaps a catholic theme?) but I wasn't sure what I thought about how they went about it. There was this lady in the book who showed up it seemed at random, and Saskia thought she was an Angel, but no one seemed to know for sure. Somehow I didn't feel like this attempt to show a connection to the spiritual was somehow... lacking? I don't know... it didn't really feel connected, and it read rather shallow in my eyes. But, like I said, that could just be because the book was meant for a younger reader.

The story line in and of itself seemed to have a pretty good flow and direction to it.  Obviously there was a mystery and the children were going to work through it. The problem was that I could guess every thing that was going to happen. At one point in the story there was supposed to be this "secret" villain, and the kids kept thinking that it was someone other than the person it actually was. The problem was, all the clues fit together in my head; I guessed who the secret villain was long before she actually entered the text, and it didn't take a whole lot of thinking to do it.

The kids themselves were interesting to follow... I started getting curious about their back story. Some of the back story was provided and other bits were left out on purpose to keep the reader guessing. I liked that; I think that was pretty well thought out on the author's part, and I might take a peek at future books just to find the answers to the questions I have. But who knows...

The villains were relatively "scary" - or perhaps "creepy" would have been a better word - though I really wanted to learn more about the magician... I can't recall his name right now. I also wanted to learn more about his inventions. What on earth did a speeding carousel have to do with the story? Seriously, how was the dangerous and frightening? I guess it was supposed to add tension, but to me, it made no sense; it just seemed pointless. We didn't even get to see the purpose behind the thing. It never really DID anything... the tension (and my respect) dropped when the kids were saved and nothing actually happened.

At one point in the book, I noticed that the dialogue between the magician and the children sounded an awful lot like it had been adapted from Scooby Doo. "And I would have gotten away with it too, if hadn't been for you meddlesome kids!" :P Sorry... not that impressed.

All in all... I wasn't that impressed with this book at all. I'm not very familiar with the author, and I'm more used to reading straight Middle Grade or YA. However, I'm guessing that this book fits on the younger end of the middle grade pool. It DOES say it's children's fiction, so I'll leave room for myself to er.

Conscious-wise, this book is very clean. There's no really bad or super scary stuff in it, and you could definitely read it to a 6 year old and a 12 year old with confidence. (And just in case anyone was wondering, I chose those ages because they are the ages of my little sisters... ;D) However, I can't say that the 12 year old would be super engaged... perhaps if she was reading it for herself... but I don't think she would be all into the story if I was trying to read it to her.

I know this is probably the first time I've ever written a relatively bad review, but I just have to be honest. Even with it's few redeeming qualities, I just couldn't be impressed... and I really, really tried to be. I give this book a 2-3 stars out of five. I'm sorry, but I just can't give it any more than three, as much as I might wish to. :P

(This book was given to me freely by the Tyndale House blogging program. I was not required to give a good review. I was simply required to voice my own opinions about the book.)

Tuesday, August 30, 2011

Which Way Should We turn? Ushering in the New Publishing Era…


As many of you may know, I've been pretty big on the thought of traditional publishing. I'm a fan of the Big 6, let me tell you! And in all honesty, it would be a total dream come true if I had one of my books published through them. It would be a dream come true if I had one of my books published traditionally, period… through an indie press or otherwise!

But as many of you also know, the publishing world is shifting… sort of tilting on its side right now. Getting "published" is not nearly as hard as it once was. Now we have e-readers that (to my chagrin) pretty much eliminate the need for paper books. (Not that they eliminate the want for paper… I will always be a paper lover, myself. There's nothing quite like opening a brand new, physical book to the smell of freshly printed ink on white or cream paper. Mm-mmm!)

Not only do we have the e-readers, but with the dawn of digitalized books, the way of the indie publisher has become much more traveled than it ever was before. The Self-Published are not as far down the reading list as they used to be. Once at the bottom of the proverbial publishing shark tank, now there are authors out there making more money, selling more books, churning out even more reading material a year, and gaining more fans much faster than they would have if they had gone a Big 6 rout. There're people like Amanda Hockings and Joe Konrath that pretty much make their living on just writing books. (Isn't that where we all want to be someday?) Then there's John Locke, an originally self-pubbed author who just signed with Simon & Schuster, and managed to do the seemingly impossible as well: hold on to his e-book rights. These people and many others have dipped their toes into the waters of Indie Authorship, and they've succeeded. Not only that but they've kept their rights: that's something that all authors wish for, but few actually see happen.

And then we have people closer to the Christian Publishing World and the genre's included in Christian Speculative fiction (the genres that interest me. ;D) . We have Jeff Gerke, who started his indie company Marcher Lord Press around the years of 2007 and 2008 in order to fill a niche market that he saw needed filling. Now his company is topping the list of indie publishers interested in Christian speculative fiction, and several MLP books have won awards in the Christian industry… we're talking the Christy, here, people: the highest award to be offered in Christian Fiction! Author, Jill Williamson, has already won two Christies for her Blood of Kings trilogy, and I know that several other books have been nominated in the past, as well as books that have been nominated for other awards. (I know there was another author that won a Christy, or who was at least nominated for one... hmmm...)

We also have Scott Appleton, who started his Indie Company, Flaming Pen Press, in order to publish his book, Swords of the Six, which sold over 3,000 copies in one year and went on to be picked up by AMG – one of the leading traditional publishers of Christian speculative fiction. He now has a contract through AMG for all seven books in his sword of the dragon series. FPP also published Kestrel's Midnight Song, the amazingly engaging fantasy written by 19 year old Jacob Parker. Kestrel's Midnight Song went on to receive a Children's Moonbeam Award and (if I remember correctly) also sold over 3,000 copies since its release last September. Now FPP is getting ready to release a new novella titled Out of Darkness Rising, written by the talented Gillian Adams. (And I mean talented here, people… I've read some of her work already. It's truly inspiring.) The novella is set to be released in the summer of 2012, and I know that it will be a success.

Next we have Port Yonder Press, run by Chila Woychik (I hope I spelled her name correctly) which strives to appeal to the artful, the literary, and the speculative. PYP is getting ready to release a new speculative work titled Dawnsinger, written by Janalyn Voigt. I've been looking into this book for a while, people… I'm totally stoked about reading it when it finally comes out! PYP has also released the book Sylvari: an Anthology of Elves in which one of our fellow teen writers, Christian Miles, is published and in which our very own Mirriam Neal has some of her beautiful illustrations displayed.

And of course we can't forget this new movement by Bestselling Christian Fiction authors Christopher Hopper, Wayne Thomas Batson, and the brothers Christopher and Allen Miller. They've decided to start a Writing/Publishing Guild titled Spearhead, in order to provide quality Christian Fiction for readers of all ages. They've given new meaning to the words "Indie Publishing" since they've set out to be independent together, and I just have to wonder where this movement will go? Already they are releasing books through their Guild… (I believe that one such book is titled "Mech-Mice" written by the Miller Brothers, and Wayne Thomas Batson's newest work "Ghost" is (or else soon will be) available through the guild as well, as will Christopher Hopper's latest book in his White Lion Chronicles.)

Then last but not least, we have Andrew Peterson and Rabbit Room Press. Andrew Peterson is an award winning Christian Songwriter who also writes Christian Middle-grade Fantasy. (I'm a fan of both his songs and his books!! :D) In the past, the first two books of his Wingfeather Saga have been released through Waterbrook Multnomah, a division of Random House. But just recently, Mr. Peterson released the third book in his series through his own company, Rabbit Room Press, and let me tell you… it's just as good if not better than the first two books! (Expect reviews of all three of his current books in September for the CSFF Blog Tour.) Just within the last month I was lucky enough to meet Mr. Peterson in person and ask him about his books. I said that I saw he had published The Monster in the Hollows through his own company, and I wondered why. His reaction was similar to Mr. Batson's blog post about the new Spearhead Guild: he'd published his book through his own company because he thought he could get it out to his readers faster and more efficiently than if he had to wait for another publisher to do the work. Besides that, he'd come to know the business and had sort of created his own brand, what with his song albums and his books taking over Christian America. Why not publish the book himself? (disclaimer: Those were not his exact words, but you get the gist. I can't remember exactly what he said, word for word… but I can lay down what I remembered of the conversation in my own words.)

Could it be made any clearer? The world of publishing is shifting severely. In my mind it's pretty well balanced out 50/50 at the moment between Indie Presses and other larger companies, where it used to be about 90/10… or perhaps an even smaller percentage for those who took on publishing by themselves. And everything is quickly tilting towards indie publishing and ebooks. Even for those who are opposed to the change, there's no stopping the advance. It's happening… all around us. Constantly. And now Borders, my favorite bookstore, is going out of business… mostly because of the rising success of e-books and the seemingly decreasing need for traditional bookstores. Amazon is taking over everything.

With all that in mind, I've started seriously rethinking some of my previously unwavering notions about becoming published. I'm still a firm believer in traditional publishing, paper-back books, the Big 6, and physical bookstores. But now I'm starting to see Independent publishing as a possible option as well. I've considered it before, of course (who hasn't?) but the idea is starting to grow on me more and more. I am just not sure anymore whether I want to pursue publication through traditional means (with a possible agent, and queries, and lots of waiting involved, and so on…) or whether I want to step up to the task, be the entrepreneur that I've always known myself to be, and start an Indie Press of my own.

I just don't know anymore. *shakes head* And it's quite conflicting.

However, I have been weighing the options. I've been asking myself the questions that need to be asked when it comes down to new businesses … How would I do it? What would it be called? Could I handle it? Who would be willing to step out with me? What about marketing? That sort of stuff.

My dad had his own business since before he married my mom. Granted, he was an artist, but then again, writing is a form of art too. And he became known throughout the states! (but don't look for him on the internet… he never was very web-savvy; his business took off simply through word-of-mouth and personal advertisement. We had rough times, but so does every other business. *shrug*)

I keep wondering that if my dad could do it and succeed, then why couldn't I? My mom and several other respected people that I know have always told me that they think I should go indie as well. I know I have the spirit for it, and the drive. I know that I'm the type of person who strives for success and perfection… and I never stop striving for it. (yes, I do know that about myself… it's a complicated knowledge, but it's what has kept me in Jr. College for 3 years and will keep me in Jr. College for another 2 before I transfer… Double major here. *points to self* <_< It's that drive that has also kept me rewriting my books until I feel that they are perfect… which also tends to drive me crazy. But in a good way. Lol! :D) I'm the type of person who can look at the impossible, see possibilities, and then I will try to make those possibilities happen.

So why couldn't I start an Indie Company? Why not? I've always known I'm supposed to work in publishing… I just
KNOW it. So why not?


I don't know the answer to that question yet, but I've decided that while I'm considering the options I will look at the problem through two different perspectives. I'm still rewriting SOTD, and I will continue to work on my query and cover letter as well, while also considering publishers and agents for both of my current WIPs as I work to stay up-to-date on the publishing news, markets, and venues. But I've also decided to think out a few things, just in case I do choose to go Indie. I thought I would post some of these thoughts here, and see what you, my readers, think of them. Perhaps you can give me your input to consider; advice and thoughts are always welcomed. I'm not saying it wouldn't be hard work… in fact, I quite expect it to be hard work. And should I plan to explore this option, I will definitely work hard at it. (And, hopefully, I won't be alone in my endeavor either… but I'll present those thoughts in a later post.) I'm just saying that I'm considering it.

First of all, if I went Indie I would want to publish other books, not just mine. I have a passion for creative writing, especially speculative fiction, and especially for the Middle-grade and YA. I know that this passion is real because every time I start to talk about it, something jerks around in my heart and I just want to start crying. My Grandma says that a person's true passion and calling will make them cry, so I know that this calling is real; I know that God has called me to write, and I know that no matter what, I will strive to keep writing and keep spreading His messages and my passions for as long as He allows. I want to be an encouragement to other writers and I want to spread my passion through my words (and I'm starting to think that my passion would touch more people and spread much farther and faster if it wasn't simply limited to only my writings and perhaps a traditional publisher… What if I could help other writers and authors who aspire for the same passions that I have? Wouldn't that be great?! *looks around, then clears throat* ahem…). I want to help other people understand the wonders that are waiting within the pages of a good book; I want to help people use their words to explore the wonders of the amazing, magnificent, breathtaking, ultimate possibilities revealed in God… because with Him, ALL things are possible! Not just some things, but ALL things. And I know that I could do just this by starting a company whose mission shares my passion. I've been thinking and praying about it a lot lately, and while nothing is really set in stone or decided yet, it's just starting to feel like this might be the right road after all.

Second of all, I've been thinking about branding and names. A company name must symbolize everything that the company represents. I think I would mostly be looking to publish speculative fiction (as that is my preferred genre), but I would also be open to looking at other forms of literary works such as poetry and creative essays and short stories for anthologies. I myself like to write poetry, creative essays, and short stories, so why would I try to exclude them?

But what sort of name can capture all of the eclectic marvels that make up the essence of Christian Speculative Fiction… while at the same time including opportunities for those poets and literary writers out there who share similar passions?

That's when I started to really think about the word "eclectic". When I think of "eclectic", for some strange reason a picture of a Magpie comes to mind. Those birds seem extremely eclectic to me; much like crows or ravens, they are always looking for shiny objects that they can take to their nests and keep as treasures and they are curious and not afraid of humans. But unlike crows and ravens, they don't have the symbol of evil hanging over their heads. Some people call them thieves, but if you really think about it, they are treasure-hunters. And as an Indie Press, that's what I would want my company to represent… not in the money sense, but in the essence of passion and words. There is a richness to a well told story that just cannot be denied. I would want to find those stories, polish them up, and let them shine. The only difference would be that instead of hiding the shinies away in my nest, I would want to spread them out to as many people as possible. It's only then that this zeal can be truly shared… when people are touched by the hand of God through the passion of a writer. And so, I've decided that if I ever do step up and take the mantle of an Indie Press (or perhaps I should say "when", as I would now claim that the idea is becoming more and more set in my heart), I would call my company "Magpie Publications", or something along those lines. It is the only brand name I've ever considered that actually feels right.

Third of all, I've been thinking about marketing. I know it would be a difficult obstacle, and perhaps the biggest hurdle that my company would face. Especially since I have not yet taken business or marketing in college. However, I also know that the resources are out there for those who have the drive to seek them out and use them, and I am willing to do the research. I know that I have that drive. It's what has kept me going as a young writer, it's what has made me look past the hardships of college and see the reward at the end, it's what will continue to drive me in life until my aspirations are appeased and I have created new goals, and then it will help me reach those new goals and beyond. It might be hard, but I already know that; nothing in life is made easy… nothing. And I don't give up easily; I know I have what it takes, and the doubts I might have whispering to my mind are not big enough to sate my thirst for truth, nor chain my dedication or God-given zeal. With God all things are possible; I just have to keep remembering that. Perhaps the marketing plan that I present in my query for SOTD can be built upon in order to create the perfect marketing plan for an Indie Company. *shrugs* Who knows? But the possibilities are limitless!

So what do you guys think? I know this was a pretty long post… one of the longest I think I've ever written… but if you've gotten this far and have any ideas on the subject, please let me know about them. I am very open to ideas right now. I'm not actually saying that I'm going to undertake this project soon… it may not happen for several years yet, (though I think it will happen eventually…). It's just been on my mind a lot lately and I thought I would share. What are your thoughts on the turn in publishing, or perhaps the changing market? What would you think about a new company such as the one I have envisioned above becoming a reality? What would you do? Feel free to share in the comments. :D

Nichole





Monday, August 29, 2011

My “First Four Chapters” rule

Just recently there's something I've been noticing about my writing habits that (for some strange reason) I find extremely fascinating. It is the fact that my stories have (quite unconsciously – or perhaps subconsciously – on my part) started to form a stylistic pattern within the writing. Now, every writer has their own style of writing… or (if you are beginning writer) you will eventually develop your own style of writing with practice. Often times, writers think of "style" as simply word choice and a type of character development... perhaps your style revolves around short, concise prose, or your style is more first person rather than third person. *shrug* However, what I think we often overlook is story structure, which can be especially overlooked by pantsters (including me) who write almost everything straight off the top of their heads and try not to over-think plotline, character-development, and story building in the general sense. Pantsters don't plan story structure… we just take off. It's my belief that a book should be written as if it's being read; otherwise much of the excitement and mystery is taken out. (Outliners will probably argue with me. And don't get me wrong either… I totally respect outlining; I just don't do it well with creative writing.)

What does all this have to do with style though?

Now that's interesting. I'm a pantster talking about story structure and trying to relate it to style. Sound a bit ironic to you?

But the deal is – I've discovered that my subconscious has created a type of patterning story structure for my WIP's even though I write most things straight off the top of my head. I've only just (like within the last two weeks) started to take note of these patterns and they seem to largely accumulate in the first four chapters. So, being the extremely creative person that I am, I've decided to call the patterns my "First Four Chapters" rule.

Quite the original title, if I must say so myself. What, what?! *strikes basil stag-hare pose*

Here's how it works:

(And please note before we go much farther that these observations aren't actual "rules" to write by so much as they are consistent patterns that my writing seems to follow. I refer to them as "rules" because the occurrence has happened over the span of three to four rough drafts and revisions of different stories. Therefore I assume that these are patterns that my writings will continue to follow into the future, even though the act of following them may be subconscious. That is also why I refer to these patterns as "structures" in my stories, and associate them with my writing style. Just sayin'.)

We'll start with the first chapter.

In the first chapter I usually meet my characters where they are in that point of their lives. It's not always convenient for them, or completely normal, but it usually is where their stories start.

For instance, in SOTD, we first meet Curron in a tavern where he was called on as extra help, even though he usually works in the stable – this is also where he first sees Caellahn and overhears an interesting and dangerous conversation. In Eldrei, we meet my MC Tibain when he's having a sparing lesson in the early evening behind his house; as he and his guardian, Dakore, go back to the house, they are informed that some men (who are being rather secretive) have come to talk with Tibain's guardian, Dakore… which hardly ever happens. In The Spinner's Apprentice we find Aura and Ganeff (my rover MC and her supporting character) preparing to sack a merchant cart when a fae lord suddenly appears in front of them.

I continue working on the first chapter by building a setting and creating an Enabling Problem around my character and his (or her) actions, adding some shallow back story to the conflict – nothing too deep right yet; just enough that (hopefully) my characters and their problems start to feel solidified in the readers' minds. (Actually, in two of my stories, this has been accomplished with the main character listening in on a conversation he wasn't really supposed to hear… which is difficult if you eliminate most of the MC's sense of sight. <_<)

At this point in the story, I'm being descriptive, but I'm also trying not to reveal too much… especially about the main character: I don't want to give everything away right off the bat… instead, I want to build up a sort of mystery around them, just giving out enough information at the start that (hopefully) the reader starts to get interested in the character. I will work in more information as the story progresses, revealing more and more about the characters and the plot until finally the story ends with the last chapter. I want to have my MC's personality and back-story unfold with his choices and actions over the course of the story, leaving some mystery and intrigue in the first few chapters so as to encourage the reader to continue to the end of the book.

Of course, most of these goals are subconscious at the time I start writing, and so the actual process of writing the first chapter is not nearly as complicated as this post is making it appear. <_<

However, I have run into trouble in the past with the fact that I want to leave the majority of my MC's history in obscurity while I'm writing the first chapter. This is because (as readers have told me) I seem to describe outward details and the history of supporting characters as seen through my MC's eyes, rather than expounding on my main character and his (or her) plight within the first 3 – 5 pages. Instead, it would seem that I try to show my character's personality through actions and thought throughout the first chapter, rather than subtly included back story right away… or, if I do include back-story in the first chapter, it's revealed mostly through my MC's thoughts, rather than having it given to the reader in order for the reader to picture the character. (Does this make sense? Or is it just repetitive? O.o) According to what I've noted in my own writings as well as a few other books that I've read, this is not necessarily a bad style to follow, but apparently it is a rather complicated one. Unfortunately it also (apparently) means that it's harder for readers to relate to my MC's problems right off the bat. I'm working to remedy this little quandary, and hopefully before long I will have found the perfect balance between back-story and mystery.

I guess the easiest way to say it would be that I "set up" for the story in the first chapter, meeting my characters where they are in that point of their lives, and then I work on from there. Chapter one is also usually "lighter and brighter" than chapter 2 and 3 (as you will see in a minute).

On to the second chapter.

(My explanation of the first one was getting a bit confuzzling. If it confuses you, don't pay too much attention to it… Some of you know how it is when you are a writer… things happen in your story and during the writing process that you aren't exactly sure how they came about, or why, or how to explain them. *head-desk* Yeah… I'm pretty much your average aspiring author. ;D)

Moving on! ^_^

It's in the second chapter that I start to work in more character-background and I really start to give my MC a hard time. Another pattern that I've noticed in my stories is that there always seems to be an enabling problem at the beginning of the story that forces my characters into action. The "Enabling Problem" is a crisis set up at the start of the story that will end up compelling my character to drive the story forward, and that will also eventually force my character to pick up the mantle of Hero or Heroine for the book. (Usually my characters aren't quite there at the beginning of the book… building a hero or heroine from the ground up is not always easy, but it's so worth it. ;D)

While the REAL plight (and plot) of the story might be touched upon within the first chapter, it isn't really expounded upon until a bit later when my MC is (usually forced into) the thick of things. However, the Enabling Problem thickens within the second chapter and really helps to develop my character's personality and motive; it's usually (and subtly) introduced towards the end of the first chapter, and then builds up in the second chapter until something happens. Rather like one of those rubber-band boats I used to make as a kid with note-cards… the tension winds tighter and tighter until it can't wind any farther and either the rubber-band breaks, therefore disabling the boat, or the boat suddenly shoots forward in the water. My goal with the Enabling Problem is to use it in order for make my characters move farther into the story.

Make sense so far?

After all, you'll never really know a person until you've seen how they handle conflict and tension. Or, as my Grandpa would tell me, "If you REALLY want to get to know a guy, steal his wallet." How a person handles
conflict says a whole lot about their character and personality. And, as many writers know, conflict is also the most effective (and fun) way to move a story forward. It's also a great way to reveal certain traits about your characters that otherwise might not have been noted. The closer to the beginning of the story that these traits are revealed, the less likely that they will suddenly appear out of no-where when your character hits tension later in the book.

Believe me, I've read books that do just that. The character seems good, strong, sometimes even level headed… and then, maybe 6, 7… maybe even 9 to 10 chapters in, conflict hits and the character explodes. This just makes me feel like the character wasn't really thought through. By introducing tension at the beginning, you are actually subtly introducing character traits and personality traits to the reader so that they won't be overly surprised later on, and by the end of your book, they will feel satisfied with your character.

Besides, conflict and tension is fun to write and it induces action. No matter what reaction your character has to the problem at hand, it's what they do about the problem that moves the story. Sometimes (perhaps most of the time) my characters act out in the wrong way, thus forcing themselves into a different (maybe even dire) situation that sets up for the third chapter. (Sorry guys, but I do find it intriguing to torture my characters… They hate me for it, I know, but I just can't help it! *cue evil laugh* ;D)

So yeah… basically my second chapter = a serious problem rising up that forces my character into action and helps build up his personality within the story's setting. Usually he/she reacts to the problem in a way that causes more trouble for him/her.

There is also some more back-story worked in throughout (of course… because remember, I'm still trying to get the reader to relate with the character and care about him/her. Eh… I'm still working out the kinks. <_< But if you want an example of back-story done well in the second chapter, check out "The Fellowship of the Ring" by J.R.R. Tolkien.)

Now for the third Chapter:

My third chapter is where the enabling problem gets really serious and bad (think darkest hour, terrifying, you-would-wet-yourself-if-you-were-my-story's-character sort of stuff). Sometimes (actually, a lot of the time it would seem) the end of the second chapter gets much darker and more dangerous in order to prepare the reader for the third chapter. In other words, I (as the writer) buckle down and start writing the Enabling Problem into a rockin' climax. So you might actually say that in reality this step in my writing process happens over the course of two chapters.

However, whether it's my character totally and completely freaking himself out in the dungeon as he awaits his execution and remembers the horrific lynching of his guardian (as is the case with SOTD), or my characters running for their lives through the black of night with hungry (and angry) demon fire-wolves on their trail (Eldrei), or my MC trapped in a tiny box of a wagon in pitch darkness as a Living Nightmare tries to get in at her while her best friend fights the creature for both his and her life (The Spinner's Apprentice), my third chapters always contain the worst, darkest, and/or most dangerous part of the enabling problem. Always. I haven't quite figured out why yet. <_< But the pattern has remained unbroken for three stories, so I'm assuming it's something I do quite subconsciously, and I'm also assuming it's something that will probably continue to happen in further books.

Yet even though I don't understand how I always seem to have my Enabling Problem's climax fall on the third chapter, I do know this: sometimes you have to take your character into the darkest recesses of their minds in order to show readers who they really are. And much like with the second chapter and building the tension, it's best to reveal at least some of these character traits near the beginning of the story. You don't have to make them completely obvious (I don't think I've ever even tried to do that… <_<). You don't even have to have all of them out in the open… in fact, I highly suggest that you leave some reactions and thoughts for the later moments in the story when your character falls into the deepest darkest pit of despair and is being beset upon by his/her own personal demons… After all, the best part of this process is that with a dynamic character, your characters responses can change over the course of the story, or can at least become more developed and in-depth. The responses of people in real life are constantly changing and growing as time passes, so why not have the same thing happen with your characters?

Also, upon reaching the climax of the Enabling Problem, my character usually must make some sort of choice, and that choice will continue to push the story forward (like with the rubber-band boat).

So to sum up – chapter 3 = Enabling Problem's climax which serves two purposes: forcing my character into a dark, tight spot… and forcing them to make a choice which will ultimately lead into the rest of the story and the story's One Prominent Issue. (You know… that one huge problem that you build your whole story around… that one big problem that your character must eventually fix… that one. ;D)

Then, with the third chapter finished, I can start work on the fourth chapter of course.

The forth chapter may start out dark as I ease into it from the third chapter, but it usually lightens up a bit somewhere in the middle, when the Enabling Problem is (momentarily) resolved and the character is forced to move on into the story's much more Prominent Issue. This always happens differently, of course; no two stories are the same, or ever will be. Sometimes the Enabling Problem remains resolved for the entire story and that's the end of it. And sometimes (as is the case with Eldrei) the Enabling Problem is just a smaller piece of the Prominent Issue, and must be brought back later in the story in order for it to be resolved. Whatever the case is, my fourth chapter always works on resolving the Enabling Problem and moving the character forward into their initial role in the story. (You know which one… that role that you have sitting there waiting for your character to pick up… usually he/or she doesn't know about it at first and then certain events happen that force your character to pick up that role and become the hero/heroine [or perhaps villain/villainess] by the end of the book? That role. :D)

So, chapter 4 = resolved Enabling Problem and character moving forward to pick up the mantle of the hero/heroine of the story.

After that, I really have no plan. <_< As a pantster, I allow my story to unfold however it will. And even with these four seeming and subconscious "rules" guiding me through the first four chapters of my book and helping me with character building and setting and initial plotting, I still don't usually know what's going to happen from chapter 1 to chapter 2, or from there on out. Sometimes I write out notes to help me brainstorm ideas, and sometimes I journal my ideas down on paper (I almost never go anywhere without a notebook and a pencil.) Most of the time, however, I just sit down and start to write. If I already have a rough draft of the story, then I use that as a basic guide to help me work through the story's problems and pot-holes, and to continue to build up the story and setting into a believable world. If, however, I'm working on a brand new story… then I just start writing and it's almost like I'm watching a very detailed and complicated movie unfold before my eyes.

I didn't write this post trying to be all that instructive, or to establish any sort of new writing "rules" that should be followed. Rather, I just wanted to document something that I've been noticing in consistence within my own writings. I hope the information can be helpful, but if you are having trouble working through all of it, don't worry!! ^_^ Sometimes my thoughts can be confusing, I know: I have to live with them. ;) So if it seems like I started rambling and you can't work through the mess, just ignore it. I don't mind.

But to those of you who can understand it, I hope it is helpful as you continue studying the processes involved in creative writing.

Happy Writing All!!! *salutes writing friends with an elvish bow*

Nichole