Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Thursday, July 21, 2011

Surgery… (Otherwise known as my attempts to further the progress of SOTD)


That's right; surgery. Not for me (directly), but for my novel-in-progress (respectfully)… which, if you think about it, can be just as painful to a writer as can the normal meaning behind the referral of the word. Hmm….

If you follow my blog, then you already know, but SOTD is going through a major facelift… actually, it's more like an entire "body-lift" if you want to get technical. That's right, folks… I'm rewriting. Again. Like, for the 15th time. But this is old news; I've been working on the rewrite since January and you all know that. ;)

What's not old news is that at long last I'm making progress again. I mentioned in my last post that I finally beat the dratted slum that had me trapped in chapter 3. (I mean, I was really getting tired of the number 3! :P) I'm so happy!

Now, the trouble I'm having doesn't have to do with moving on so much as it has to do with editing. I can't wait to move on!!! I have SO much epicness planned for the near future of the book, it makes me want to type! Like, Now! And not stop until late night… or early morning; that is, whenever I pause to look at the clock and realize that I really should be sleeping or I'll be a zombie in the morning. 


It's just that I can't seem to turn off my inner editor. I've tried – I really have – but she just insists that I pay attention to her. And unfortunately Inspiration is in league with Inner-Editor and refuses to let me start typing the next part of the story until I realize and fix the problems that are in the first scene of chapter 3. 

So I've come up with a plan. I've been concocting it for several days now – see my messy hair and crazy, red-rimmed eyes? That's because I've gone all "mad scientist" while working out this blue print of how to foil Inner-Editor's frenzied attempts to stop my progress. I've decided that I'm going to post the first part of chapter 3 here on my blog. I'll let you guys be my editor – if you see anything that stands out to you, good or bad, let me know about it. If you tell me what you think of the excerpt and I work out the kinks you point out, maybe Inner-Editor will be forced to shut down for awhile! Then I can move on unhindered!

So to randomly quote Disney's The Emperor's New Groove in my best Esma voice, "Oh, I know! I'll turn Inner-Editor into a flea – a harmless little flea. And then I'll put that flea in a box. And then I'll put that box in another box. And then I'll mail that box to myself. And when it arrives? Ahahaha! I'll SMASH IT WITH A HAMMER!!!


"It's brilliant, brilliant, brilliant, I tell you! Genius, I say! *poof* Or, (to save time and my sanity) I'll just foil Inner Editor by doing THIS! Take it, my loyal bloggy friends! FEEL THE POWER!!!"

:D



Chapter 3
(Currently Untitled)

Thunk, thunk, thunk!
“Ungggh.”  Curron rolled over and buried his face in his hands.  His entire body ached as if he’d been bucked off a horse and then trampled.  Metal clattered all around him when he moved and something heavy dragged at his wrists.
                        Clang! Thunk, thunk, thunk.
“Téagh, that old rat.”  Grimacing, Curron pushed himself up to a sitting position and rubbed the back of his head; upright, it felt like a large boulder balanced precariously on an insufficient neck. Leaving his eyes closed, he shouted, “Cut the noise, old man!  You could wake the dead with that racket.  I’m up already!”
Normally this would have earned him a retort; something like, “I’ll take what help I can get, ye lout.  If it’s not from the likes of you, then the dead might as well try their hands at it.”  Today, however, there was nothing.  The hammering noise sounded through the room like the muted march of soldiers’ feet, but the old Stable Master never replied.
Curron opened one eye to a slit and immediately wished he hadn’t.  Blood pounded in his head, sending fractal colors and bursts of pain skittering before his eyes.  The small room tilted sideways, melded together in myriad shades of grey and flickering orange, and then started to spin.  He quickly closed his eyes again and leaned back against a wall.   
                       What is this place? he wondered.  Certainly not his room in the stable loft.  For one thing, this room’s floor was made of stone, not wood, and instead of the familiar smell of horse and hay, there was a strange musty scent fused with the underlying, bitter tang of old iron.    For another thing, the room was entirely too cold and completely bare.  What had happened to his bed and the brazier that stood in the corner filled with hot coals?  Where was the trunk that once belonged to Seliah?  And what about the old saddle he’d been repairing under Téagh’s careful instruction?  Téagh treated most people to a dose of crude arrogance whether he knew them or not, but Curron was different.  The retorts remained, but there was respect too, and a distorted form of kindness.  The saddle was to be Curron’s once it was repaired; he couldn't bear the thought of losing it.
His memories all clouded together like a thick fog.  They shifted and churned, darted and flitted like shadow-figures playing hide-n-catch, but they refused to align.  If this isn’t my room, he thought, and it most certainly isn’t – then where am I?
Thunk, clang!  Thunk, thunk, thunk.
The noise jarred Curron’s thoughts.  He opened his eyes and the flitting shadows vanished, replaced by dread that tightened in his gut like a knot of writhing snakes.  There was something very wrong with that hammering sound: something menacing.
He pushed himself away from the wall and looked around the room.    The space was square and barely more than three paces wide in both directions – just big enough for him to lie out straight either way.  It felt more like a tall sepulcher than it did a room or even a cell.  And with the hammering noise reverberating around the walls, he could almost imagine the sound was actually the bony fists of some crypt’s long dead occupants trying to get free. 
Shivering, Curron shook the picture from his head.  What nonsense.  Selliah would never approve of such thoughts.  If he kept at it, he would drive himself insane.
The ceiling of the room was low.  If he stood on the tips of his toes and held his arms stretched up, he could probably brush its surface with his fingertips.  A heavy wooden door without latch or handle was embedded in the wall opposite of him.  Near the top of the door was a barred window that looked out into blackness.  He eyed the window thoughtfully.
Barred?  This was a cell then, probably somewhere within the labyrinth of Fort Gallant’s underground tunnels.  Only once before had he ever stepped foot beyond the darkened lintel that marked passage into the tunnels, and the memory still haunted his nightmares.
He leaned forward, bracing himself to stand.  If he could get a better look through the iron bars, perhaps he could figure out the nature of his prison.  Metal clattered a protest as he moved, and his arms felt extremely heavy and cold.  He glanced down.
Oh…
Heavy shackles coupled his wrists and ankles together, while four lengths of thick chain, their links about the size of his thumb, wound in and out of the bulky rings welded to the side of each manacle.  The opposite end of every chain was attached to a separate wall.
Right.
Curron eyed the chains dubiously and gave them a hard shake.  They rattled together, bashing against the tender underside of his wrists and sending tingles through his fingers.  He let his hands drop back to his side in dismay.  Shackles meant only one thing as far as he knew, and the chains just confirmed it.  Broken scenes from the night before floated back into place, taunting him with their incompleteness: Olan’s mocking voice, Mirra’s screams, the fighting, the blood-lust.  Flashes of color and light flitted through his memory and disappeared again– a knife, a candle, a pair of startling blue eyes…
Rage.
He cringed.  Even the memory of the feeling was so strong it sent his limbs to shaking.  Olan had despised him for years and the feeling was mutual.  He’d always known it would come to a head, but he never envisioned it ending like this.
He pulled his knees up to his chest and cupped his chin in his hands, trying to recall all the details of the fight, but no matter how he tried, he couldn’t remember the very end.  It must have been bad, he concluded, Else why would I hurt so much, and why am I stuck in his dark hole?  Maybe I got hit on the head.  Maybe that’s why my head hurts so much and I can’t seem to remember clearly.  He reached up to feel his scalp, but except for a few extra dirt particles and a beetle that he untangled from his curls, there was nothing to feel: no blood, no lumps, no bruises.
            He squished the beetle in his hand and flicked its remains across the cell.  So much for that idea.
            The foreboding hammering sound continued, quieter than before, but just as unnerving.  Voices floated through the air from somewhere over Curron’s head, mingling with the sound of clopping hooves and wagon wheels rolling and creaking over stone cobbles.  Curron shifted uneasily and twisted to glance up at the wall he was sitting against.  Near the top was another tiny rectangular window striated with iron bars and open to the air.  Sunlight filtered through the bars, painting the floor of the cell and part of one wall with patches of a lighter grey, tinged yellow.  The sounds of many people and groaning timber wafted in through the window, followed by more banging.  He thought he heard his name.
Bracing himself against the wall, he inched upward until his fingers finally caught the window ledge and wrapped around the iron bars.  Using the bars as handles, he pulled himself upright and peered between them into a colorful, chaotic mess.
People milled all around the courtyard in and out of thick wooden tables and brightly painted carts as they talked to sellers or yelled after spouses. Traveling merchants hawked their wares to anyone interested: a bolt of brilliant cloth dyed from the gold Lauris flowers of Southland, a bottle of red wine from Ereniel in the west, a spool of silk ribbon from the Hahl’eil silk farms east of the Great Forest, a quiver of Bannergoose-fletched arrows from the Wild North.  A band of children chased chickens around and under the legs of people and chairs alike, ignoring the calls of bustling mothers who balanced babies on their hips and browsed through the offered goods.
Curron’s eyes drank in the whole mess.  A thrill coursed through his body. 
Trades Week!  The very first day.  If he were free, he’d be milling around as well, looking for something worthwhile to spend his copper drúggle on, perhaps joining the older boys in a game of Whithle Tag.  The first Trades Week of the month always brought throngs of people through Fort Gallant’s gates.  Most came from Eldin and the surrounding farmland, or they were Búrri traveling from northern Southland to barter.  However, there were always a few roaming traders mixed into the throng, and a gypsy or two hoping to earn coins by entertaining.  The grim, grey place known as Fort Gallant became a blossoming bazaar of vibrant promise.
Then Curron’s eyes fell on something in the middle of the courtyard: a dark blight that defied all color and reared out tall above the crowds of people, grotesque as an open wound.  Black-stained beams of wood formed a raised platform that housed a single mast jutting up from the center like a dark finger.  The mast was reinforced with wood and iron fittings to keep it from falling over, and a long-armed boom reached out from its top as if to scrape open the sky.  A small crowd of people gathered round to watch a man who stood beside the mast pound in iron pegs with a mallet.
Clang, thunk, clang, thunk, clang, thunk!
                        The people pointed and whispered.
Another man sat astride the boom, working with something in his hands.  Minutes later he let the thing drop.  There, tied around the girth of the long, extending arm dangled a thick hemp rope with a loop at the end.
A gallows.
Of course. 
Curron shrank back from the window, cold fear rushing through his veins and wrapping around his heart.  He swallowed hard several times and slumped back against the wall.  This was all his fault.  He’d brought this on himself.  He should never have risen to Olan’s taunts.  If he’d only left the dining hall when he’d had the chance!
The sound of metal being pounded into wood tolled out again, drowning out the people’s whispering voices, filling the air like a mournful dirge.  Curron screwed his eyes shut and clapped his hands over his ears.  Yet without his surroundings to distract him, the black, wooden monster from his dreams tainted his imagination in grisly red.
A frail body dangling in a stark, black wind.  Silver hair swaying before a sweet aged face.  One lone raven circling above, glistening black feathers in stark contrast with the ice blue sky.
Blood…
That monster was up in the courtyard now, waiting for him, drawn from his nightmares like the devil made flesh.
A huge, misshapen, wooden devil.
Curron swallowed the bile that rose to his throat.
A gallows.  He cringed at the word, wringing trembling hands.  That’s why all the people are really here; to watch me die.
****

Wednesday, April 6, 2011

Happy Belated Blogaversary!!!

Woa... I just realized that my 1rst  year blogaversary was April 1rst.  And it's already April 6th.  Yep.  I'm out of it. O_o 

But hey; happy blogaversary to the Pen and Parchment, I guess.  :D  It's neat to think that it's already been a year.  Where on earth did a whole year disappear to?  It snuck away when I wasn't looking and I'll never be able to get it back... how tragic.  Or exciting.  Depends on how you look at it. ;)

And looking back, I'm happy to announce that I met some of the goals I laid down in my full profile. Even took a step beyond them.  One of my goals was to get my manuscript, Song of the Daystar, on an editor's desk before Christmas.

Well, that happened.

And not only did it happen, but now I've decided to announce the other exciting news that I've been holding off on since the beginning of March: the publisher contacted me again with a revision request and an invitation to resubmit. 

I said before that I wouldn't name the publisher until I heard back from him: well, now that I've heard back from him, I will tell you the company's name. 

Flaming Pen Press.

Yep!  Me excited!

Now, nothing is certain yet.  I started rewriting the manuscript before I'd heard back from Mr. Appleton.  However, when I explained this to him, he kindly invited me to send him the first 20 pages of the rewrite.  A few days later he contacted me through email saying that he really liked the direction the new version was going, and told me to go ahead and finish the rewrite, then resubmit the manuscript when I'm finished.  (If you head on over to the "Read an Excerpt" page, you can read the new blurb and the new first chapter of the rewrite.)

I refuse to count my chickens before they hatch... but it's hard not to feel a little giddy. :)  I really don't want to assume too much, or get my hopes too high before I know anything for certain; it all feels a bit sureal and I've got a long way to go before I know for sure if Mr. Appleton's company will actually decide to publish SOTD.  I guess I will leave it up to God; He's knows what He's doing.  I just need to sit back and enjoy the ride... and continue writing. :D

Speaking of which, this blog post was originally going to be called "In the Slum" which is where I've been for the past couple of weeks.  The Writer's Slum, that is.  It's not a very fun place to be.  But I just wanted to send a shout out to Mr. Wayne Thomas Batson and thank him for his awesome books: I'm almost half way through reading Sword in the Stars, Mr. Batson's latest epic achievement, and I find it very inspiring.  The world in SITS is slightly reminiscent of J.R.R. Tolkien's world, Middle Earth - complete with histories, languages, different races, etc... - and yet it is completely different.  Reading through the book, it keeps reviving old ideas I had thought near death, and suddenly I understood how I could continue my story!

So thank you, Mr. Batson.

I think I shall go write now.  :D

Friday, October 22, 2010

Nanowrimo 2010

First of all, I wanted to remind you that there's only 3 days left before the submission deadline for the Amazing First Chapter contest.  We only have 4 entries, so you guys better get cracking!  :D  Surely you all must be nearly done with your edits by now... so send those chapters to me without any further delay.  The prizes are great, and you don't want to miss out.  Get them up there before there's no time left!

And now on to the subject of this post.

Do, do, do! *trumpet sounds*

Nanowrimo!

For those of you who don't know, the extremely funky word "Nanowrimo" actually stands for National Novel Writing Month in which participants from all over the world attempt to write 50k of a new novel in only 30 days.  I did Nano last year for the first time, and managed 40k before everything became too hectic for me.  This year, I'm going to try something a little different... perhaps even "forbidden" by some standards.  

Instead of writing 50k of a completely new novel, I'm going to attempt to REWRITE 50k of "Eldrei".

That's right; I'm being a rebel.  I'm crossing that line that should never be crossed... and I like it!

Well, in honor of my rebelism, I decided to create a book-trailer for Eldrei this year.  It took me most of a night and part of the next day, but I finally got it finished according to my standards.  Just a note, the photographs and pictures used belong to their respected owners, and the music is "Caislien Oir" done by Clannad.




Friday, September 3, 2010

My Guest Post -- Paper VS. Digital

Eldrei Word Count: same as last time.  :D

This is just a quick post to let my readers know that I wrote an article on Paper VS. Digital that is now posted on Squeaks' blog, Hidden Doorways.  You can find my article here.  I hope you enjoy it!  :)

Nichole White

Friday, August 27, 2010

Accountability and the Writer – The True Challenge


Start the ominous music, right?  That title just screams "Run Away!"

I mean, as a writer I like to work on my own time, go with the flow, wait until I'm inspired. Because of that, this is a subject that I often try to get around – at least in my writing life.

But here's the thing; as a college student, I practice accountability every day. I need to be at school on time, sitting in that classroom and taking notes. I need to get my homework in when it's due, or make sure I have that report written. I need to be ready for that test.

When at work, I need to focus on my job because I am accountable to my boss and to the people I work with. (Granted, I don't exactly have a solid job currently, but even with my chores around the house, I am accountable to myself and to my family.)

And I need to be accountable to God: I need to pray daily and make sure I have my heart set right before him every morning.

If I can be accountable in all these other points of my life, then why can't I be accountable in my writing life as well?

A common remark I hear from artsy friends (and that I sometimes harbor myself) is this simple truth… "You can't rush art". And as many of us know, writing is an art-form. But a common misconception among writers is that, at the root, this saying means "wait until you are inspired and write then." I've done that before.
Sometimes it works; other times it doesn't.

But here's the thing; if you write only when you are inspired, it might be months before you sit down in front of your computer screen again and type a few words. However, if, like me, you are basing your entire future on writing and the ups and downs of the publishing world, then once every few months isn't going to cut it. You need to have your book written and be working on another one, and you can't afford to have a really crappy first draft.

This is where accountability really starts to apply. As a writer, you are accountable to your future publisher and your readers to do everything within your power to write your book the best that it can be and to do it in a timely fashion.

Let's look at Bryan Davis, for example: in an interview I once read with the author of four best-selling Christian Fantasy series, Davis stated that he usually completes a book in 4 months: 3 months for the writing, and 1 for editing. Now, we can't all be like Davis, I'm sure  (I, for one, have to work around a school schedule, musical practice, and work, along with family life), but his example is admirable. If he can do it in four months, why can't I do it in six, or even eight? I may not always be inspired to write but, like I do with every other part of my busy schedule, I can work a time in that's dedicated to nothing but writing.  And, at that time, I can sit my butt down in that chair and type out SOMETHING, even if I'm not all that happy with how the scene reads at the end of the session.  I can always go back and fix it later.

Some of you may say, "well, yeah, that works fine for a rough draft, but what about the second draft or the edit? I want my book to be perfect, and if that's going to happen I need to take my time on it."

Yeah, that's a tricky subject; I like to take my time on the edits as well. But if Davis can manage his edits in a month, then why on earth can't I keep my editing down to 2 or 3? After all, the basic story is already there; I just want to make sure it's written well.

So what can a writer do to become accountable to their writings?

  1. Go ahead; schedule in that writing time each day, and then be faithful to yourself and make yourself sit down at that time of day and write… no matter what. I don't care if the world is falling apart and aliens are invading at the same time that all life as we know it is about to be snuffed out. Write! You have no one to blame but yourself if your story never gets finished.


  2. Research. This isn't always the most fun part of being accountable to your writing, but it usually comes in handy at some time or other. Now, if you are a fantasy or Sci-fi writer (as I am) then perhaps the hard-core science and history research isn't your thing, but that doesn't exclude you from this step. This step is vital. If nothing else, research your craft: that means look up books about writing, blogs about writing, websites about writing. Read… always read. If you do nothing else in this area, READ! And, of course, practice. Put all that writing research to work: apply it as you write and see how it improves your writing, or makes it worse. Look up the Publishing business; get familiar with potential allies and potential competition. I've been researching writing technique and the publishing world for almost 7 years and I'm still not tired of it!


  3. Make yourself accountable to someone. When comparing your social life with your writing life, you probably notice that you are much more accountable in your social life. I know I've noticed that in my life. That is because when people feel obligated to do something, they usually do it. Without that drive, we all tend to be lazy. Talk to a friend or relative and have them make you accountable to your writing: have them ask you every so often how far you've gotten, or what your word count is. If you know that they will be watching to make sure you do it, you will most likely sit down and DO IT! 
I challenge all of my readers to be accountable to their writings. And, following my own advice, I pledge to be accountable to my writings through my readers. Right now I'm working on the edit of my novel "Eldrei". (SOTD is about as finished as it gets!) From now on, when I post I'm going to try to remember to post my current Word Count until I have "Eldrei" completed. That way my readers can see that I'm actually working on writing my novel, and not just letting it sit until I feel inspired to get at it. If you see that I haven't posted my word count, shoot me a comment and let me know: I'll get it up as soon as I can.

And to start off on the write foot – er, RIGHT foot – here is Eldrei's current word count: 23,082

Saturday, July 17, 2010

Writing Backwards is Bad for your Novel.

A while back I wrote a post on perfectionist writers.  I am one of them.  And one of the things I struggle with the most in my writing is... just writing.

As writers, we all have some vague idea of where we want our poem or novel or memoir or biography to go, but getting it there is a completely different story.  We may have a great idea, get excited, sit down and write a few chapters... but then we pause and, instead of continuing on as we should, we make the one fatal mistake that has often kept many amazing story ideas from becoming amazing published books:

We go back, re-read, and edit.

I like to call this "Writing Backwards" because I'm going back and writing over again, when I should be working on moving the novel forward and finally reaching its end.  I catch myself doing it all the time.  In my mind, I know what I want that scene to look like; I know what I want that character to do and how he should do it; I know what that artifact looks like and I want the reader to see it that way.  If a writer could just go back and do a quick edit, and then continue writing from where they left off, that's great.  I wish I could be like that.  But so often I find myself stuck on trying to figure out just the right combination of words to make the scene perfect.  And usually, while it seems like the editing is helping to perfect my story and make it the best that it possibly can be, it is actually hindering real progress.

So this post is basically to help me realize that I have to stop being so darn picky.  Especially with November looming closer and closer. (Because, for those of you who don't know, November is National Novel Writing Month, or Nanowrimo.)  When November hits, I don't want to be a picky writer... I want to just write.  That's what Nanowrimo is for; for writers to type out the rough draft of a novel in 30 days and get it all out on paper before the idea is lost.  It goes against every perfectionist grain in my body, but perhaps that is good for me.  I can always go back and edit later.

Thursday, July 1, 2010

When Inspiration Comes A-Knocking, the Best Thing to do is Open the Door

Last night was just an ordinary night when I sat down at my keyboard. The hard copy of “Song of the Daystar” sat beside me on the desk in its neat red folder, my purple editing pen and idea-ballpoint lying on top. I glanced at it, turned back to my blank screen, opened my documents and scrolled through my options. Did I want to start something new, or work on something old? I was growing tired of editing, re-editing, questioning myself, going back and editing yet again. I wanted to write. Several documents flickered up in front of my face, each with potential but each one denied. I wanted to work on something I’d started before, something that I could get excited about… but I just couldn’t decide what.


Then it happened.

The folder was several years old, covered with several layers of digital dust from not being opened in so long. The labeled documents inside promised glimpses at old ideas, excerpts that were cut, snatches of song lyrics and poetry for the book, a half-composed attempt at a language, and other such creations expelled from a young writer’s mind.

But halfway down the folder, it was there, staring me in the face, beckoning me with the promise of adventure. I hadn’t opened it in so long, I wasn’t quite sure what to expect; four years ago I’d only managed a few chapters worth of revision before I stopped to pour all my writing efforts into “Song of the Daystar”.

I clicked the document open, scrolled down to the last scene I’d revised and…

Started to type!

I couldn’t believe it; four years on the shelf, and then quite suddenly and unexpectedly the story that had begun my love of writing had drawn me back in again. I swear my keyboard smoked as my fingers flew over its keys. It was all coming back to me: the characters’ personalities, their problems, their world. I could see the map in my mind's eye, could hear the trees whispering to the shadows that haunted their woods, the mountains’ rumbling song, the vast ocean’s quiet lullaby as the rivers rolled down to meet it on the shore.

I was back.

I never imagined it to happen that way. After I finished the revision of “Song of the Daystar” I’d thought I might go back and give one or two of my stories a once-over, see if any of them were calling my name. None of them seemed to be. I thought about this project – the one I’d titled “Eldrie” so long ago – but at the time the long and tedious hours of revising held no appeal; Eldrie’s rough draft was long and complicated, and, true to a first draft’s nature, very, very rough.

But now…

I can’t help but get excited over it. It’s like I’m stepping back into myself all over again (not that SOTD wasn’t a part of me too.) And its good to have something I can get excited over while I try to pen-in my frustrations with the cruel publishing world. When I told my mother of my unexpected joy, she just smiled and said, “Then you must know it’s time to start working on it again.” She’s been telling me to finish the revision for years.

And all of this just goes to show that when inspiration comes knocking, you’d better not let it stand out in the cold; hurry up and open that door!

Monday, June 7, 2010

The Curse of a Perfectionist

The other day I was reading “Song of the Daystar” to my dad (who is not really a reader to begin with) and asked him what he thought of the story. His words to me:


“Well, it seemed a bit flowery; I couldn’t get into the story.”

"Flowery?!" I thought, "After all I've done to make it perfect, now it's too flowery?  I thought it was done!"  :(

Now, granted, my dad is not a reader: “NOT” in all capital letters unless, maybe, it happens to be the Bible. And he’s certainly not a fantasy reader: Heaven forbid he pick up even the “Chronicles of Narnia”, let alone ”LOTR” or “Through the Looking Glass”.

BUT…

It raised the question in me about whether or not I really was making my prose sound too flowery. Was I getting right to the point? Or was I taking too much time trying to describe everything, just sort of dancing around on point-shoes like a magical pixie to make everything seem wonderful?

Well, knowing my dad, if it doesn’t say something out right then it’s just a nuisance. I love him, but that’s just how he is. He likes the idea of second, hidden meanings, but he would much rather get right down to solving those second, hidden meanings than get all the clues first. He’s an artist, but in my opinion he’s more “straight forward” than I am.

Does this mean my writing is not good enough? Could this mean I have to go back and rewrite?

Well, no. No, it doesn’t. I do have to go through it and edit, check for grammatical errors and spelling typos, but I don’t have to rewrite.

Some of you may be asking, “Then why on earth are you posting on this subject?” But my reasoning is simple. Many writers take any advice given by any random person and immediately apply it to their work. These are the ones who want to please everybody.

I am one of these.

I’m probably at the top of the list.

You see, writers are automatic perfectionist. In real life it may not seem like it: we may leave clothes on the floor, not comb our hair a certain way, leave stacks of books lying around, or not care all that much whether everything is organized on our desk or not. But set us down at a keyboard and we immediately start criticizing ourselves. We don’t want to let our stories go until they are everything they have the potential to be. They must be perfect.

“Perfect!” we scream. And we type, and the keyboard starts to smoke, and eventually the smoke detectors go off, and then at last we have to get up to turn off the screaming buzzing noise that is wracking our concentration. But then we are back at the keyboard, changing things, rewriting, debating with ourselves, trying to make everything “perfect”.

The sad truth is, no matter how hard we work on it, it will never be perfect. It will never be finished. And perhaps, the most gulling fact of all, we will never be able to please everybody.

Never.

Once, while reading an interview with one of my favorite authors, I read this quote: “My book will never be finished until my publisher pries it from my fingers, and even then I’ll keep working on it”.

Unfortunately, it’s a truth. I will probably do the same thing. Writers seem to have this need to please everybody, to make everybody happy, and prove to themselves that they are not the computer loving weirdoes that many people think they are.

But we are. Oh we are! And the only way we’ll be able to ever be satisfied with our writings is to come to grips with the facts that we can’t make what we write please everyone.

I seriously thought about what my dad told me. He was only trying to help me, I know. He didn’t mean for his words to sting (even though they did.) I thought about what he said. I considered it. I went back and read over the manuscript.

But you know what I found out?

I liked the manuscript the way it was. I ran it through several critique groups and they enjoyed it as well. I let random people read the prologue and first chapter (which was all I read to my dad). The random people seemed pleased. A few of them made suggestions which I took into consideration. But I don’t need to change the entire book just to please my dad, who doesn’t like reading that sort of stuff in the first place, let alone the fact that his daughter writes it.

Yes, I am a perfectionist. I want my book to be perfect. But I can come to grips with the fact that it won’t be. As long as I’m happy with it and know that I have taken it as far as I can, someday I know that it will sit on a book shelf and people will pick it up and read it: the people who do like what I write. It doesn’t have to be perfect for everyone.

Well, at least I’m still trying to convince myself of that.